The Production that Could, and Did

Photo courtesy of  Will Walker 

I recently wrote a post about a wonderful production in which I'm currently cast. It's a wonderful production because it's such a great example of the best of what community theatre can be.

I'm playing the role of Yonah in Stephen Schwartz's Children of Eden at Paris Community Theatre. It's a dream for me. I've wanted to play the part for over 15 years. I love everything about her. She is kind, patient, decisive, loving, and puts others before herself. The fact that I am getting a chance to play her is one of the miracles of community theatre and what it can do. If this were the professional world, I'd be too old. Yup. It's that plain and                                                                  simple.

We have two extraordinarily talented young people playing Adam/Noah and Eve/Mama. They are too young. We have people who are new to theatre or who haven't been onstage in decades. In theory, none of us should be playing these roles. And yet, it works. We work together as a cast. We compliment each other. And we have wonderful audiences who come to the theatre happy to suspend their disbelief for a fun and moving evening of music and storytelling.

Photo courtesy of Kayla Phillips

We've come a long way, too. We had a musical director who had to leave the production unexpectedly and another who joined us but also had to leave due to illness. We were sad to see both go, but we rallied as a cast and those of us who had any musical skills to offer came forward. We taught songs, played notes, gave vocal lessons and coaching, and we came together and worked.

I've watched this show magically come together as a whole in less than a week's time. After all the stress and frustration of Tech Week, we made it. We moved past stumbling blocks and problem areas to pull together a beautiful piece of theatre. And from opening night to our third performance, the show grew more than 100% more. It's just amazing.

Photo courtesy of Kayla Phillips

For the first time ever this past Sunday, we had to cancel a performance due to a broken air conditioning unit and sweltering temperatures. We continue on undaunted, though. We rallied as a cast and decided this show is too important to us and its message of love is too timely to not find a way to make a belated performance happen.

So, this weekend, we present five performances of Children of Eden. Thursday through Saturday evenings at 7:30 and Sunday we will present a "double-header" with performances at 2:30 AND 7:30. This is what community theatre can do. It can bond people together in a shared creative goal. It can move audiences that will accept us as storytellers and not literal representations of characters- because that's what great casts and audiences do. They are supportive. They rally. They give time and love.

If you live anywhere near the Paris, TX area, I encourage you to see us. We're not perfect, but we've worked really hard to bring these stories to life. We've taken on challenging roles and extra work far beyond being actor-singers. And we want to give this production to you as a gift. From us to you with love.

Photo courtesy of Kayla Phillips

Photo courtesy of Kayla Phillips

And isn't that what it's really all about?

Until Next Time...
Ro Huizinga

The Compleat Works of Wllm Shkspr (abridged)... Again!

For the first time in my life I have the pleasure of directing a show for the second time. I'm currently working on a production of The Compleat Works of Wllm Shkspr (abridged) at Children and Adults Theatrical Studio in Lubbock, TX. I first worked on this script as a part of my MFA thesis project in 2010.

There is such joy in working on this script. Its authors- Adam Long, Daniel Singer, and Jess Winfield- filled the show with timely pop culture and political references. They created the original "Reduced Shakespeare Company," an RSC for the fast-paced, high tech, America of today. They allow each group that comes together to produce and perform the show to update these references as needed. Much like Shakespeare himself always did with his writing, this show is meant to comment on contemporary events and should never feel stale.

It's a wonderful teaching tool for directors. Although the script is a rollicking comedy at heart, it is difficult to perform if the cast is not familiar with Shakespeare's works. Much like the sketch comedy of Saturday Night Live, The Second City, and The Groundlings, the script involves a great deal of satire. One can't satirize that which one doesn't understand. So, in both productions I've had the honor of working on, we've focused on discovering Shakespeare's plays, studying commentary and criticism, and studying verse. Many of the actors with whom I've worked have not worked on plays written in blank verse before. This show is a wonderful opportunity for actors to throw themselves headlong into the works of one of the greatest playwrights and poets in history.

The real joy of this show lies in each ensemble creating wonderful relationships with each other on stage and with the audience each night. Each group of actors (originally a cast of three, but I enjoy expanding to six to give both men and women the opportunity to work on this fantastic script) becomes a new and singularly unique "Reduced Shakespeare Company." The script really works as a dialogue with the audience, and the actors must react to audience responses each night honestly, quickly, and with wit and humor. I'm not sure there is another play that teaches actors so well that no two audiences are alike.

And... it's just plain funny! I love walking into the rehearsal hall knowing that every night I will laugh. I love creating a safe space for actors to try new approaches and "bits." If any fall flat, we get to keep working and trying and stretching new comedic muscles. What could be better?

So... this is the part of the post in which I switch over to "shamelessly plugging" the show. You should see this play. You should come out and laugh at us and with us. You should see how full of life Shakespeare's plays still are! Especially when they're re-imagined as cooking shows (hosted by a rather infamous Southern chef in our version), raps (yes, we're searching for our inner Kanyes and J-Zs...), and even Football Games (I know that caught the attention of some of our West Texas patrons- come see our Friday Night Lights- complete with cute cheerleaders!)! You think you know Hamlet, but have you ever seen it backwards? Or a cast of six perform that play in under 60 seconds? Can tragedies be funnier than comedies? (Yes!) Should you miss your chance to see a brave cast of only six gender bend their way through Romeo and Juliet as well as parry and thrust their way through a wickedly fast version of Hamlet, Prince of Denmark? (No!)

This really is a show for everyone. This is a show that can prove how transformative and wonderful theatre can be. I know. I've spent a lot of time with two wonderfully talented and hardworking casts, and I hope to revisit this play again in the future. There is always something new and wonderful to discover.

So please, won't you come and spend 90 minutes with us as we laugh and play? We certainly hope so! Huzzah! ( You can get more info at the Children and Adults Theatrical Studio website- and you can make reservations there, too! Or, you can call 806-792-0501.) So...

Until Next Time...
Ro Huizinga

The 2013 cast and crew! (Clockwise from top left: Zachery Kocurek, Amanda Allen, Chris Luera, Jonathan Keys, Cornelius Brown, Reagan Sudduth, Emily Healy, Robyn R. Huizinga, and Lisa Hernandez)

The 2010 cast! (Clockwise from left: Dr. Sherry Shields Scott, Ashley Pickering, Michael Risinger, Mile Pickering, Juan Espinosa, and Brittani Spang-Klotz )

So, You're Broke but Love the Arts?

Photo in Public Domain: http://tinyurl.com/9kb

Well, it's a new semester for me, and that means more time in class, less time to work, and no money to spend. Yup, that's right. So, how can someone who blogs about the arts have anything to say when she's broke? Well, I refuse to believe that just because one has no disposable income, that s/he can't take in the arts.

Here is a list of ways to take in the arts on a budget (or no budget, in my case). Opportunities like these are plentiful in my community and are likely to exist locally for you, as well. So, don't be detached from arts and culture, do as the artists do, and get creative!

How "Social" Is Your Social Media?

I spent some time this evening reading through an article on the Public Relations Tactics website. The title is Cultural snapshots: 4 PR pros who are curating vibrant arts communities by Amy Jacques. The article is comprised of a redux of interviews with PR professionals from several arts and culture organizations. when asked, the people interviewed talked about how social media impacted their work and created dialogue with their audiences. I did note that none of the professionals worked for a theatre company.

My area of interest lies in not-for-profit regional theatre. There are many companies throughout the U.S. who are using social media effectively to create the kind of dialogue with loyal patrons and reach new audiences in the ways this article mentions.

The Influence of Friends

So... I went to see the new movie Rock of Ages tonight. As much as I love theatre and particularly musical theatre, I really had no intention of seeing this film. Perhaps I'll discuss my issues with "jukebox musicals" and "moviecals" in a future post. For tonight, I'd like to briefly talk about why I did go see it after all.

Like many of you, I have been over-exposed to ads and other marketing, which have been endlessly plugging this film for weeks. I've tuned it all out, for the most part. I still had no intention of seeing the film even after endless TV commercials and interviews. However, a friend of mine is writing his dissertation on "jukebox musicals," and quietly invited a few friends to see Rock of Ages with him via a private message on Facebook. This one personal and highly influential move made me decide to see this (raucously funny) movie after all.